云顶国际 艺术家 东华大学视觉艺术博士博士导师,曹辅銮的水粉画云顶国际

东华大学视觉艺术博士博士导师,曹辅銮的水粉画云顶国际

  名画家曹辅銮教授1935年生于上海,南京艺术学院教授,硕士研究生导师,兼任东南大学建筑工程系博士生导师。东华大学视觉艺术硕士研究生导师,擅长油画、水彩画、中国画。他的画展、画册及画论、教学等著作从未间断。深得刘海粟等大师的高度赞赏,吴冠中生前曾赞誉他【西画之中得国画之精髓!】

上海美术家协会副主席兼秘书长

  在学校,老师同情我因家庭出生所受的阻力及经常被人批判,凡是有名家到访,总是极力地引荐我。其中有一位就是当时在省美协工作的曹辅銮老师。我能拜这么多名家为师,算是我不幸中的大幸!在我幼稚的印象中,所拜见的曹老师是一位沉着、精悍、年轻有为的画家。

Vice-chairman and secretary-general of Shanghai Fine Arts
Association

  玫瑰碎片

从20世纪初起,上海曾走出去许多美术家,说是遍布全中国也不过分,有些还跨出国门,近至东瀛,远至欧美。80年代后,一部分上海画家陆续从外省调回上海,一些到国外谋生的画家也纷纷回到上海寻求新的发展机遇,还有不少上海画家告老还乡、置房安居,看重的是上海的发展趋势,曹辅銮先生便是其中的一位。

  那时他用一张圆形的纸,花了我一幅水墨肖像,在我手中添加了一朵含苞初放的玫瑰,聊聊数笔水墨相容,清秀灵动十分传神,连他的同窗也啧啧称奇,墨迹未干曹老师便送赠了我。真使我靦觍又高兴!我讲此画挂在厢房书桌旁的墙上,有人觉得比我真人更漂亮。可憾这朵玫瑰的点缀,在文化大革命时,属于封资修毒草。迫于历史的无奈,没能将此佳作保留。画中少女的青春随着岁月流逝,那多虚构的玫瑰也夹入记忆的碎片!

云顶国际,From the early 20th century, Shanghai teemed with lots of artists, you
never go too far to say that they spreaded all over the country, some
even crossed our nations threshold, from the nearest Japan to the
further Europe. After the 1980s, some artists who lived in other
provinces returned to Shanghai in succession, and those ones who made
theirs living overseas also returned to Shanghai for new development
opportunities. And some elder Shanghai artists retired and wanted to buy
house and spend their sunset life in their hometown. What they focus on
is the development trend of Shanghai, and Mr.Cao was among one of them.

  相隔不知多少个春去秋来,在网络上搜寻资讯,无意中mouse指引我闯入了上海曹辅銮美术馆、及曹老师苏州东山太湖之畔的丁香苑画苑,新纪元的科技再续师生前缘,返沪时当然要去拜访他上海的美术馆了,我为没有收藏好的墨宝而惋惜。他慷慨地任由我在他的话是挑选一幅以作补偿。

曹辅銮先生出生于1935年,当时的上海是即将进入繁华顶峰的时候,但是战争的阴霾渐移上空。他在1954年从上海行知艺术学校美术系毕业的时候,上海已经抚平了两次战争的创伤,可是由于全国高等学校院系调整,上海美专在1952年已迁至无锡,当时的上海便没有一所美术学院。于是曹辅銮在同年进入南京师范学院美术系深造,有幸得到傅抱石、陈之佛、吕斯百等中国画、油画名师的教授。1958年毕业,分配到昆山,不久即被江苏省美术家协会主席亚明相中,调进江苏美协从事绘画创作。1960年9月又被南京艺术学院副院长陈之佛调入南艺美术系任教,1986年起担任研究生导师,1994年任江苏省美术家协会水彩画艺术委员会副主任。

  哇!丁香花、玫瑰花、牡丹花、鸡冠花、睡莲、野菊、静物、风景、人物,目不暇接。那白色的丁香似散出扑鼻的幽香,曹老师是文明的丁香王,画出了丁香的灵魂,我爱不释手但又怕夺人所爱,我知道丁香花是他一生只爱!几经犹豫挑了一幅色彩较为丰富的,他2007年11月所作油画野菊花。

Mr.Cao was born in 1935 in Shanghai, then and there for one thing,
Shanghai was in her flourishing peak times, for another there was war
haze covered her sky. When he graduated from Shanghai Zhixin Arts School
in 1954, Shanghai had recovered from the effect of two wars. But due to
department adjustment of national tertiary college, Shanghai Art School
was moved to Wuxi, which left no art school exist in Shanghai. In the
same year, Mr.Cao entered into Fine Art Department of Nanjing Normal
University, where he was lucky to get acquainted with famous professors
in the field of Chinese and oil paintings including Mr.Fu Baoshi,
Mr.Chen Zhifu, and Mr.Lu Sibai etc. After graduation, Mr.Cao was
assigned to Kunshan, then he was acknowledged by Mr.Ya Min, chairmen of
Jiangsu Fine Arts Association, and was cannibalized in Jiangsu Fine Arts
Association for painting invention. In Sep. 1960, he was sent to Art
Department of Nanjing Art Institute as a professor. In 1986, he
underwent graduate teacher, in 1944, he took charge of Vice-director of
the Watercolor Arts Council.

  欣喜之余有些愧疚不安,今天的社会趋势有别于过去,收这样一大幅油画难能可贵。平时在老师、同学或好友前,即使见到心中喜欢的画,也不敢启齿讨画。艺术已和金钱挂钩,相熟的人又难开价,求画变相成向人索取钞票。他的一幅油画应该价值不菲!我岂不是白拿了别人的钱财?但他却没有在乎这些得失,他说画画不为拜金,是对艺术的一份执着,保持着精神上的寄托。也正因为他的信念高尚,一头银丝精神矍铄,至今还满怀热情地灌溉他的园地!使绚烂的花儿迸发出的耀眼光环。在曹辅銮老师的艺术生涯中,任凭风吹雨打寒冬酷暑,即使是百转回荡的生命区县,永远绽放着他心中的鲜花,而且不断盛开图录芬芳永不凋落。

曹辅銮先生在艺术上涉猎很广,在水彩、水粉、油画、中国画、环境艺术设计等方面均有所建树,而最擅长的是水粉画。他在第六、七届全国美展获得优秀奖的作品《丁香》和《鸡冠花》是水粉画,他举办的首次个人画展是水粉画展;他出版的第一本个人画册也是水粉画集。曹辅銮的水粉画,将水彩、油画的长处兼收并蓄,明快的、滋润清丽、浑厚的、粗放雄健。作于1979年水粉画《马尾岛》堪称是一件写生精品,画中滚滚而来的湍急水流,溅起的泛着白色的水花,经受激浪冲击的坚硬又湿漉漉的礁石,都被描绘的极为传神,又富有动感,其意境更为耐人寻味。他的人物肖像画,善于准确揭示人物的性格,用笔精练概括,绘得神情毕肖。曹辅銮的画,反映出中国画家在西画艺术上已经达到了相当高的水准。不仅如此,曹辅銮还尝试在水彩画中融入中国水墨画的意境和某些技法,其探索创新的精神甚为可贵。

  缤纷小菊

Mr.Cao read widely and made contribution in many art fields, such as
watercolor paintings, gouache paintings, oil paintings, Chinese
paintings and Art design etc, among which the gouache is his
proficiency. The Lilac and Cockscomb which won merit award in the sixth
and seventh National Exhibitions, were gouache paintings. In his first
solo exhibition and solo album there displayed his gouache paintings.
Mr.Caos gouache paintings possess special characteristics of being
sprightly, concinne, natural and powerful, extensive and robust and
combine the merits of both watercolor paintings and oil paintings. The
gouache painting of Horsetail Island drew in 1979, was regarded as a
sketching masterpiece, where there were swift torrents rolling toward
us, splashing water flower with white foam, rigid and damp rocks
standing striking from fierce waves. All of the scenes were drawn
vividly, vigorously and its artistic conception is pregnant with
meaning. Mr.Cao is adept at revealing characters personalities in his
portraits. In which his lines were proficient and resumptive, and fully
displayed characters airs. Mr.Caos paintings indicate that Chinese
artists have arrived a high level in drawing western paintings.
Moreover, Mr.Cao tried to integrate Chinese ink painting artistic
conception and skills into oil painting, whose invention spirit was
praiseworthy.

  喜获的油画补壁在寸草阁画室,见到的人无不赞叹,画中那一丛缤纷雅洁的小菊花,不受任何束缚,无拘地自然怒放,色彩缤纷而不张扬、花朵茂盛而不繁琐,铺层浓密而不窒塞。让我能朝朝夕夕欣赏、揣摩、遐思。犹如在聆听老师对色彩的教导,光源和形象的变化,局部鹤整体的呼应,薄敷和厚涂间虚实远近的关系这幅杰作飘逸、强烈、融合、奔放,有清晰的刻划;有朦胧的消失。色色相扣,笔笔相应。

半个多世纪后,曹辅銮返回上海定居,其对艺术的钟爱之情有增无减,画风更为稳健。在油画《风芦》中,大特写式的芦苇在疾风中狂舞,鲜艳强烈的色彩、奔放有力的笔触,涌动着火一般的激情和不屈的精神。在油画《丁香》中展示的又是另一番情趣,银灰的色调营造了恬静雅致的氛围,簇簇白色丁香和紫红的花朵迎来盎然生机。丁香花是曹辅銮长期的创作的母题,他的一幅作于1976年的《丁香花》被中国美术馆收藏,《白丁香》获得了89杭州中国水彩画展优秀奖,他以丁香花为题材的作品在全国和省级美展中屡屡出彩,看来曹辅銮享有丁香王的美誉是当之无愧的。

  那亮丽娇嫩的质感,那娴熟利索的笔触,那功力深厚的技法,流露野菊花的怡然和清丽,浑然天成的美感,将自然界的纯朴,升华为神圣的艺术。那画框倾注了他的颂扬,亦为我开启了一扇美妙的窗口,呈现一片生机蓬勃的景象。

Half century later, Mr.Cao came back to Shanghai for location, instead
of decrease but increase of his passion for arts, and his drawing style
seems more stable. In his close-up style oil painting Reed in Wind,
there is reed dancing in the high wind, the whole painting display a
bright and strong color and ebullient, powerful strokes, all of which
indicate a fire passion and unyielding spirit. In the oil painting
Lilac, it appears another taste, with the gray tone, you can feel the
quiet and elegant atmosphere, piled up white lilac as well as purple
flowers welcome the exuberant vitality. For a long term Lilac is always
Mr.Caos motif, one of his Lilac drawn in 1976 was collected by Chinese
Art Gallery, and White Lilac obtained merit award on 1989s Chinese
watercolor painting exhibition in Hangzhou, Mr.Cao won many applause
from the national and provincial exhibitions, so he deserved the honor
of Lilac King.

  凝视着摇曳的花簇,千姿百态的朵朵小花,恍如在微风中轻摇,温婉动人轻盈活泼,让人迷醉在时空的天地之间。恍若徐志摩在细语:这岂是偶然,小玲珑的野花!你轻含着闪亮的珍珠,像是慕光明的花蛾,在黑暗里想念着燄彩晴霞;我此时在这蔓草丛中锅炉,无端的内感惘怅与惊讶,在这迷雾里思衬着人生与鲜露。

古稀之年的曹辅銮先生最近在上海出版他的这本大型画集,是回归家乡后对他所走过的艺术历程进行的一次回顾,也是他对未来的艺术发展设定了一个新的坐标。曹辅銮先生对我说,明年他将出版他的另一本画集,收集他的素描和速写作品。我衷心的祝愿曹辅銮先生在上海的艺术发展再续成功。

In his seventies, Mr.Cao recently published this large-scale album in
Shanghai, which is to retrace his art experience after coming back to
hometown, and also a new coordinate setting for his future arts
development. Mr.Cao said to me that he would publish another album
collecting his sketches and schizzo next year. I sincerely pray to
Mr.Cao that his arts development in Shanghai will achieve succession. .

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